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うずまき (2) (ビッグコミックススペシャル) コミック – 1999/2/26
伊藤 潤二
(著)
▼第7話/びっくり箱▼第8話/ヒトマイマイ▼第9話/黒い灯台▼第10話/蚊柱▼第11話/臍帯▼第12話/台風1号▼あとがき●登場人物/五島桐絵(黒渦高校の生徒。本作の主人公)、斎藤秀一(桐絵の元同級生。隣町の高校に通っている)●あらすじ/黒渦高校1年B組の山口満は、なぜか人を驚かす事に熱心で、「びっくり箱」というあだ名を付けられていた。その彼が、どうやら桐絵に興味を持ち始めたらしく、最近しつこく言い寄って来るようになった。無論、桐絵は関心を示さなかったが、山口は諦めず、プレゼントまで贈って来る。桐絵はそのプレゼントを山口に返し、交際を断るが、その場で……。(第7話)
- 本の長さ198ページ
- 言語日本語
- 出版社小学館
- 発売日1999/2/26
- ISBN-104091857221
- ISBN-13978-4091857224
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出版社からのコメント
美しい女子高生・五島桐絵のまわりで次々に起こる異常な惨劇…そう、突然<うずまき>が襲ってくるのだ…新感覚ホラーの鬼才・伊藤潤二が描く、世にも不思議な恐怖の世界。
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2015年1月27日に日本でレビュー済み
Amazonで購入
彼の作品はいつ読んでも素晴らしい。できれば売り切れがないようにしてもらいたい。
2017年9月14日に日本でレビュー済み
Amazonで購入
産卵期の蚊を出産期の産婦に模したアイデアは、それひとつで一作の作品になります…なかなかホラーな展開ですが、ひとつだけ惜しいのは【蚊】はうずまきに関係無いのです。
多分、【蝶】の口器は渦巻き状に丸めて収納するので伊藤先生はそれと勘違いして【蚊】の口器も渦巻き状に収納されると考えられたのかもしれませんが、【蚊】の口器は真っ直ぐなニードル状でそれを動物の皮膚にグサッとブッ刺して吸血します。
うずまきではないです。
ヒトマイマイの話もとても面白かったです。
あと第三巻の大スペクタクルシーンの導入となる台風の件はちょっと妙過ぎて残念な感じです。
多分、【蝶】の口器は渦巻き状に丸めて収納するので伊藤先生はそれと勘違いして【蚊】の口器も渦巻き状に収納されると考えられたのかもしれませんが、【蚊】の口器は真っ直ぐなニードル状でそれを動物の皮膚にグサッとブッ刺して吸血します。
うずまきではないです。
ヒトマイマイの話もとても面白かったです。
あと第三巻の大スペクタクルシーンの導入となる台風の件はちょっと妙過ぎて残念な感じです。
2011年7月10日に日本でレビュー済み
Amazonで購入
”うずまき”という題名に惹かれ、購入しました。第二巻はどうにもならないうずまきの規則に圧倒されます。主役の彼女はかわいいが、今後、どのように展開されるのかわくわくします。
他の国からのトップレビュー

Pastore Danilo
5つ星のうち5.0
Ottimo acquisto!
2013年5月14日にイタリアでレビュー済みAmazonで購入
Ho visto il film prima di leggere il manga e sinceramente l'ho acquistato solo perchè ero curioso e volevo vedere un vero finale (il film lascia molte cose aperte).
Le mie aspettative non erano altissime ma mi sono dovuto ricredere... Uzumaki è davvero un gran bel manga!
Lo stile dei disegni è piacevole e adatto al tipo di fumetto, la storia è intrigante e i personaggi sono ben caratterizzati.
Alcune scene potrebbero risultare un pò forti agli occhi dei lettori un pò più giovani ma è proprio questo aspetto "malato" di Uzumaki, unito all'originalità della trama a farlo uscire dai canoni delle classiche opere horror.
Personalmente mi sento di consigliarlo vivamente a tutti gli amanti del genere!
Le mie aspettative non erano altissime ma mi sono dovuto ricredere... Uzumaki è davvero un gran bel manga!
Lo stile dei disegni è piacevole e adatto al tipo di fumetto, la storia è intrigante e i personaggi sono ben caratterizzati.
Alcune scene potrebbero risultare un pò forti agli occhi dei lettori un pò più giovani ma è proprio questo aspetto "malato" di Uzumaki, unito all'originalità della trama a farlo uscire dai canoni delle classiche opere horror.
Personalmente mi sento di consigliarlo vivamente a tutti gli amanti del genere!

Leena Zaher
5つ星のうち5.0
Amazing Japanese Horror
2013年2月20日に英国でレビュー済みAmazonで購入
The manga itself is stunningly beautiful and creepy. If you're a fan of Japanese horror this is a must buy. I had discovered the manga online first and decided I really wanted the comics on my bookshelf.

backbeat
5つ星のうち5.0
Von Leuchttürmen und Entbindungsstationen
2011年4月19日にドイツでレビュー済みAmazonで購入
Der zweite Band führt die episodische Struktur der Serie fort. Kaum ein Kapitel hat mit dem anderen eine direkte Verbindung.
Der Stil des Künstlers ist weiterhin vorhanden. Besonders gut gefielen mir in dieser Hinsicht das Kapitel über einen Leuchtturm und das Kapitel über Säuglinge. Beide Kapitel haben eine Menge Abschnitte, in denen die Details geradzu pedantisch wirken und den Blick auf sich ziehen. Besonders in den morbideren Abschnitten ist dies wirkungsvoller als viele Worte.
Es gibt erneut einen kleinen Sketch am Ende des Bandes. Leider wurde auf eine Farbillustration verzichtet.
Das letzte Kapitel leitet, was als Finale bezeichnet werden könnte, ein. Vom dritten Band an gibt es eine kontinuierliche Handlung.
Der Stil des Künstlers ist weiterhin vorhanden. Besonders gut gefielen mir in dieser Hinsicht das Kapitel über einen Leuchtturm und das Kapitel über Säuglinge. Beide Kapitel haben eine Menge Abschnitte, in denen die Details geradzu pedantisch wirken und den Blick auf sich ziehen. Besonders in den morbideren Abschnitten ist dies wirkungsvoller als viele Worte.
Es gibt erneut einen kleinen Sketch am Ende des Bandes. Leider wurde auf eine Farbillustration verzichtet.
Das letzte Kapitel leitet, was als Finale bezeichnet werden könnte, ein. Vom dritten Band an gibt es eine kontinuierliche Handlung.

TBS
5つ星のうち5.0
Upon a Ocean of Looping Shapes
2002年10月13日にアメリカ合衆国でレビュー済みAmazonで購入
In my opinion, Uzumaki has to be one of the most disturbing visual remedies I've used to quench the utter state of boredom I sometimes find myself immersed within. Its ocular metaphors, coupling the ingenuity of Junji Ito's mind with believably sculpted pictorials depicting horror after sometimes nameless horror, are something unique in the field of terror.
The concept (taken from the back of the book because of its wonderful description):
Kurozu-cho, a small fogbound town on the coast of Japan, is cursed. But the spirit which haunts it does not have a name or a body, only a shape: uzumaki, the spiral, the hypnotic shape of the world. It possessed the father of teenage Kirie's withdrawn boyfriend, causing him to remake himself in its image before he died. It grows in ferns, in seashells, in curls of hair, in the crooked folds of the human brain.... As more people are caught in the pattern, over the town of Kurozu-cho hangs the spiral of cremated corpses; because even in death, there is no escape.
In this installment:
In Chapter 7 through 12, more issues are fleshed out, leading us away from the strange occurances at Dragonfly Pond and our two mainstay characters, using them somewhat but still dancing in other venues of thought. Briefly, these are:
In Chapter 7, Jack-in-the-box, Kirie catches the eye of a seventh-grader named Mitsuru Yamaguchi, a boy they simply call Jack-in-the-box because of his habit of surprising people by springing out at them from anywhere he can conceal himself. He decides that he must have her because it will surprise people to see him with such an intoxicating vision, constantly dogging her every step as he tries to obtain her. This, of course, leads to an ill-fated accident that Kirie blames herself for, one that invites the horror of the spiral into a cryptically grave-unveiling manner. It also shows us the impact the recent events have been having on the town, with the introduction of burial once again taking place, something that people have deemed necessary after the black-spiral clouds that come from cremating a resident of the town anywhere, not just in the town itself.
In Chapter 8, The Snail, (one of my favorites in the series thusfar) it begins to rain, a signal that the slowest boy in class, Katayama, will be coming to school. In fact, it is the only time he comes to school, and he even does this in the most tardy of fashions. Because of the speed he operates at, he is constantly taunted by one of his peers, Tsumura, who actually strips him down after gym class one day and drags him out in the hall. That's when they notice it, the spiracle impression looming upon his back, one that grows and grows as the days progress. Soon its apparent that there is a change transpiring in Katayama, one that causes him to slink across the ground and elevates the impression upon his back. In this, he isn't alone, either.
In Chapter Nine, The Black Lighthouse, an abandoned old lighthouse begins emitting a strangely spiraled ray from within, one that begins to effect people within the town in many a strange fashion. This alarms many of the town's residents, and they demand a party be sent to check it out. There requests are heard and people are sent, and their fate remains a secret until Kirie's younger brother decides that he and his friends should explore this decrepit monument.
In Chapter Ten, Mosquitoes, the mosquitoes begin to fly drowsy circles that put people to sleep, feeding on blood irregularly, large amounts of it in fact, to the mystery of the doctors within the town. While this is going on, herds of pregnant women are being attacked and admitted into the hospital, plus the killing are elevating at even the hospital itself. Victims with holes bored into them are found within their beds, leading to a question of "what the" thast is answered in a most gruesome manner.
In Chapter Eleven, the umbilical Cord, the pregnant women deliver the most adorable, most behaved, babies ever seen. This, of course, can't be good, nor can't it be dwelt on by me for fear of giving something away.
And, lastly, in Chapter Twelve, The Storm, A hurricane comes aground, stopping over the town and simply hovering. It seems to want something, too, because in the night it can be heard calling out a name, one very familiar to the readers.
All in all, I would say that this is wonderful installment, wetting the appetite for the final portion of the storyline. It does a lot to build on the first Uzumaki book, keeping the proverbial ball rolling without making it a boring spectacle. It isn't for the weak of heart of mind, however, and would only be recommended as bedtime reading to your children after you initially dose them with heaping helpings of horror movies and storylines to harden their soft pallets. O, and its in black and white, for those that think color is the only venue producing meritable works.
The concept (taken from the back of the book because of its wonderful description):
Kurozu-cho, a small fogbound town on the coast of Japan, is cursed. But the spirit which haunts it does not have a name or a body, only a shape: uzumaki, the spiral, the hypnotic shape of the world. It possessed the father of teenage Kirie's withdrawn boyfriend, causing him to remake himself in its image before he died. It grows in ferns, in seashells, in curls of hair, in the crooked folds of the human brain.... As more people are caught in the pattern, over the town of Kurozu-cho hangs the spiral of cremated corpses; because even in death, there is no escape.
In this installment:
In Chapter 7 through 12, more issues are fleshed out, leading us away from the strange occurances at Dragonfly Pond and our two mainstay characters, using them somewhat but still dancing in other venues of thought. Briefly, these are:
In Chapter 7, Jack-in-the-box, Kirie catches the eye of a seventh-grader named Mitsuru Yamaguchi, a boy they simply call Jack-in-the-box because of his habit of surprising people by springing out at them from anywhere he can conceal himself. He decides that he must have her because it will surprise people to see him with such an intoxicating vision, constantly dogging her every step as he tries to obtain her. This, of course, leads to an ill-fated accident that Kirie blames herself for, one that invites the horror of the spiral into a cryptically grave-unveiling manner. It also shows us the impact the recent events have been having on the town, with the introduction of burial once again taking place, something that people have deemed necessary after the black-spiral clouds that come from cremating a resident of the town anywhere, not just in the town itself.
In Chapter 8, The Snail, (one of my favorites in the series thusfar) it begins to rain, a signal that the slowest boy in class, Katayama, will be coming to school. In fact, it is the only time he comes to school, and he even does this in the most tardy of fashions. Because of the speed he operates at, he is constantly taunted by one of his peers, Tsumura, who actually strips him down after gym class one day and drags him out in the hall. That's when they notice it, the spiracle impression looming upon his back, one that grows and grows as the days progress. Soon its apparent that there is a change transpiring in Katayama, one that causes him to slink across the ground and elevates the impression upon his back. In this, he isn't alone, either.
In Chapter Nine, The Black Lighthouse, an abandoned old lighthouse begins emitting a strangely spiraled ray from within, one that begins to effect people within the town in many a strange fashion. This alarms many of the town's residents, and they demand a party be sent to check it out. There requests are heard and people are sent, and their fate remains a secret until Kirie's younger brother decides that he and his friends should explore this decrepit monument.
In Chapter Ten, Mosquitoes, the mosquitoes begin to fly drowsy circles that put people to sleep, feeding on blood irregularly, large amounts of it in fact, to the mystery of the doctors within the town. While this is going on, herds of pregnant women are being attacked and admitted into the hospital, plus the killing are elevating at even the hospital itself. Victims with holes bored into them are found within their beds, leading to a question of "what the" thast is answered in a most gruesome manner.
In Chapter Eleven, the umbilical Cord, the pregnant women deliver the most adorable, most behaved, babies ever seen. This, of course, can't be good, nor can't it be dwelt on by me for fear of giving something away.
And, lastly, in Chapter Twelve, The Storm, A hurricane comes aground, stopping over the town and simply hovering. It seems to want something, too, because in the night it can be heard calling out a name, one very familiar to the readers.
All in all, I would say that this is wonderful installment, wetting the appetite for the final portion of the storyline. It does a lot to build on the first Uzumaki book, keeping the proverbial ball rolling without making it a boring spectacle. It isn't for the weak of heart of mind, however, and would only be recommended as bedtime reading to your children after you initially dose them with heaping helpings of horror movies and storylines to harden their soft pallets. O, and its in black and white, for those that think color is the only venue producing meritable works.

Basi
5つ星のうち5.0
regalo
2014年2月23日にイタリアでレビュー済みAmazonで購入
valutazione eccellente per chi sa l'inglese presumo mia figlia vorrà il seguito consiglio a chi ha una padronanza della lingua inglese