美しいアクション映画。駄作という人もいうれけど、僕は大好きです。
元ミュージックビデオ監督であるアントワン・フークアらしい映像と音楽が連動したシーンが本当に心地いいです。驚くほど豪華キャストで作られたこの映画、プロデュースにジョン・ウーも参加していますのでファンは必見です。
リプレイスメント・キラー CE [DVD]
仕様 | 価格 | 新品 | 中古品 |
DVD
"もう一度試してください。" | コレクターズ・エディション |
—
| — | ¥190 |
DVD
"もう一度試してください。" | コレクターズ・エディション |
—
| — | ¥680 |
今すぐ観る ![]() | レンタル | 購入 |
フォーマット | 色 |
コントリビュータ | アントワ・フークア, チョウ・ユンファ, ミラ・ソルビーノ, ケネス・ツァン, マイケル・ルーカー |
稼働時間 | 1 時間 28 分 |
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商品の説明
映画史上、最も美しい銃撃戦!
【ストーリー】
組織を裏切ったチャイニーズ・マフィアとパスポートの偽造を手掛ける美女が織り成すノンストップ・ガン・アクション。
香港のスーパースター、チョウ・ユンファのハリウッド進出第1弾!
製作総指揮には『M:I-2』でハリウッドNO.1アクション監督の座についたジョン・ウー。
『男たちの挽歌』シリーズを大ヒットさせたウー&ユンファの黄金コンビがハリウッドを席巻する!
相手役には『誘惑のアフロディーテ』でオスカーに輝いたミラ・ソルビーノ。
今、驚愕の銃弾連射546発が炸裂。
【映像・音声特典】
●アントワ・フークア監督による音声解説
●メイキング・ドキュメンタリー
●未公開シーン集
●もうひとつのエンディング
●オリジナル劇場予告編集
●フィルモグラフィ
●チョウ・ユンファハリウッドへ行く
【スタッフ&キャスト】
《製作》 ブラッド・グレイ、バーニー・ブリルスタイン
《監督》 アントワ・フークア
《脚本》 ケン・サンゼル
《出演》 チョウ・ユンファ、ミラ・ソルビーノ、マイケル・ルーカー、ケネス・ツァン
【Copy Right】 (C)1997 COLUMBIA PICTURES INDUSTRIES, INC. ALL RIGHTS RESERVED.
※ジャケット写真、商品仕様、映像特典などは予告なく変更となる場合がございますのでご了承ください。
-
トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2020年5月19日に日本でレビュー済み
Amazonで購入
2018年9月15日に日本でレビュー済み
Amazonで購入
すこしつづ、Blu-ray Discに変換をしております。これがいい方向に行けばいいのですか。
2020年4月22日に日本でレビュー済み
Amazonで購入
何度も見ていますが、
最後のセリフが最高。
最後のセリフが最高。
2018年12月12日に日本でレビュー済み
Amazonで購入
まあ、ハリウッドアクション並ではないB級アクション映画でお気楽に楽しめる感がある。
2018年8月28日に日本でレビュー済み
Amazonで購入
既に廃盤だってので見つけるのが大変でしたが購入出来て良かったです。
2014年7月7日に日本でレビュー済み
Amazonで購入
DVD以前はLDで映画観てましたが、DVDが出て友人のDVDをみて、あまりの差に驚いた作品でした。画と音。圧倒されました。チョン・・・・の作品は正直好きでないのであまり観ませんが、これは長さ、オーソドックスなどの点で丁度いいです。のでDVDからの購入し直しです。
2016年6月12日に日本でレビュー済み
Amazonで購入
香港アクション映画のビッグスター、チョー・ユンファ主役のアクション。
激しいバイオレンスとアクション、射撃などが次々。
最初から最後まで目が離せない名作です。
激しいバイオレンスとアクション、射撃などが次々。
最初から最後まで目が離せない名作です。
他の国からのトップレビュー

Mary-Lyn B.
5つ星のうち5.0
Great movie
2024年3月2日にカナダでレビュー済みAmazonで購入
Couldn't find it anywhere so I looked on Amazon

Mr. W. Joseph
5つ星のうち5.0
One of Chow Yun Fat's best since Hard Boiled!!
2008年9月14日に英国でレビュー済みAmazonで購入
Wow, this movie just blew me away !!! I am a fan of the John Woo type of action movies and I must say that even he was just one of the executive producers, his mark is all over this movie!!!
The result is very good : Nicely paced action sequences, more story and emotions than in your average Hong Kong action movie (But not as much story development as in an American production, but in this genre this just isn't needed that much, it would just slow down the pace), well acted , you kinda start feeling sympathetic for the leads and you'll certainly hate these villains. This is a thrill ride from beginning till the end. And this is where I have my only point of criticism : The movie is way to short !!! 80 minutes and the credits start to roll!!! You'll almost start to beg for more... I'll best describe this movie as a cross between "Face-Off" and "The professional" from director Luc Besson. A must-see for every action movie lover.
The result is very good : Nicely paced action sequences, more story and emotions than in your average Hong Kong action movie (But not as much story development as in an American production, but in this genre this just isn't needed that much, it would just slow down the pace), well acted , you kinda start feeling sympathetic for the leads and you'll certainly hate these villains. This is a thrill ride from beginning till the end. And this is where I have my only point of criticism : The movie is way to short !!! 80 minutes and the credits start to roll!!! You'll almost start to beg for more... I'll best describe this movie as a cross between "Face-Off" and "The professional" from director Luc Besson. A must-see for every action movie lover.

Michael Paul pagliaro
5つ星のうち5.0
Cool
2024年1月11日にアメリカ合衆国でレビュー済みAmazonで購入
A great action revenge movie

Mr Robinson
5つ星のうち4.0
Top notch Friday night action movie.
2020年6月2日に英国でレビュー済みAmazonで購入
is a 1998 American action film directed by Antoine Fuqua in his feature film directorial debut, and starring Chow Yun-fat, Mira Sorvino, Michael Rooker and Kenneth Tsang. The film was released in the United States on February 6, 1998. The storyline was conceived from a screenplay written by Ken Sanzel. Veteran action director John Woo co-produced and choreographed the action sequences. The film is set in modern-day Los Angeles and follows an emotionally disillusioned assassin who is forced to settle a violent vendetta for a ruthless crime boss. The film marks the American acting debut for Chow, as his previous film credits included Hong Kong action cinema only.
A excellent action film well worth watching and is the pinnacle of East meets West.
A excellent action film well worth watching and is the pinnacle of East meets West.

Judy K. Polhemus
5つ星のうち5.0
Elegant and glamorous
2009年1月17日にアメリカ合衆国でレビュー済みAmazonで購入
Usually, the title of a work is the subject--but not always. "The Replacement Killers" is not a film about replacement killers, but about moral ambiguity, gray area. John Lee (Chow Yun-Fat) is drawn into a moral morass by a Chinese Mafia hold over his family. He must become an assassin to prevent his mother and sister from being killed.
John Lee is brought to the West Coast to kill people, enemies of Mr. Wei, a very powerful drug lord based in the United States with tendrils wrapping in China as well. John's father was an honorable military man before the Cultural Revolution and friend of Mr. Wei. Connections.
When John backs down from his third kill for moral reasons, he has committed "treason" against Mr. Wei and must return to China to protect his family. That's where Meg Coburn (Mira Sorvino) comes in. She is one of the best forgers around. He needs a new passport. When they meet, Wei's hired thugs are right behind. Violence breaks out. That's the back story.
Meanwhile, two real hit men are hired as John's replacement killers. Another reviewer so amusingly describes these men as hit men who actually look like hit men: black leather jackets, black pants, big and muscular bodies and fierce faces, and weapons cases.
Perhaps this will seem strange, but "The Replacement Killers" is an elegant and glamorous film noir. Most of the cinematography is filmed in dark or semi-dark places: her office/apartment area, the car wash, the movie theater, the Buddhist temple, Mr. Wei's business office, alleys and staircases. John's impeccable dress (a suit and tie) and Meg's hip attire speak glamor. Her youthful face, his mid-30's look, hers Caucasian with deep red lipstick and his handsome Asian face make a striking balance for elegance. The background music throughout the film is romantic, laced with Asian mysticism.
Every scene with Wei and the head of his henchmen, Jurgen Prochnow, adds to the striking miasma of corrupted moral values. Just ugliness and sordidness.
Michael Rooker represents a police department that is actually straight and committed to their actual pledges to pursue evil and protect society. As the third party of participants, the police do not back down from the use of arms. Not at any time do all three parties come together for a significant shoot-out. The police always arrive just as the shooting is over. The last big shoot-out between John and Meg and the Chinese Mafia is a battle which stirs the gray area into moral certitude. It's a great scene.
Mira Sorvino is absolutely an essential part of how well this film works. She is no timid woman to be protected. Her part in each scene of violence is crucial. Then gears are whirred and her parting scene with John is dignified yet tender. Amazing.
Most other reviewers love this film. I find the film sophisticated, glamorous, and elegant, not because it is violent, but despite the violence, which is not made glamorous or elegant, just present and sometimes necessary. Moral ambivalence.
John Lee is brought to the West Coast to kill people, enemies of Mr. Wei, a very powerful drug lord based in the United States with tendrils wrapping in China as well. John's father was an honorable military man before the Cultural Revolution and friend of Mr. Wei. Connections.
When John backs down from his third kill for moral reasons, he has committed "treason" against Mr. Wei and must return to China to protect his family. That's where Meg Coburn (Mira Sorvino) comes in. She is one of the best forgers around. He needs a new passport. When they meet, Wei's hired thugs are right behind. Violence breaks out. That's the back story.
Meanwhile, two real hit men are hired as John's replacement killers. Another reviewer so amusingly describes these men as hit men who actually look like hit men: black leather jackets, black pants, big and muscular bodies and fierce faces, and weapons cases.
Perhaps this will seem strange, but "The Replacement Killers" is an elegant and glamorous film noir. Most of the cinematography is filmed in dark or semi-dark places: her office/apartment area, the car wash, the movie theater, the Buddhist temple, Mr. Wei's business office, alleys and staircases. John's impeccable dress (a suit and tie) and Meg's hip attire speak glamor. Her youthful face, his mid-30's look, hers Caucasian with deep red lipstick and his handsome Asian face make a striking balance for elegance. The background music throughout the film is romantic, laced with Asian mysticism.
Every scene with Wei and the head of his henchmen, Jurgen Prochnow, adds to the striking miasma of corrupted moral values. Just ugliness and sordidness.
Michael Rooker represents a police department that is actually straight and committed to their actual pledges to pursue evil and protect society. As the third party of participants, the police do not back down from the use of arms. Not at any time do all three parties come together for a significant shoot-out. The police always arrive just as the shooting is over. The last big shoot-out between John and Meg and the Chinese Mafia is a battle which stirs the gray area into moral certitude. It's a great scene.
Mira Sorvino is absolutely an essential part of how well this film works. She is no timid woman to be protected. Her part in each scene of violence is crucial. Then gears are whirred and her parting scene with John is dignified yet tender. Amazing.
Most other reviewers love this film. I find the film sophisticated, glamorous, and elegant, not because it is violent, but despite the violence, which is not made glamorous or elegant, just present and sometimes necessary. Moral ambivalence.